Singing Sweethearts Blogathon: Jeanette MacDonald and Nelson Eddy…Happy Valentine’s Day

I was invited to write a post on one of the most successful singing duos in Hollywood history.  To be honest I knew next to nothing about the pair.  Their heyday happened years before I was even born. The couple became famous near the end of the Great Depression (1929 – 1942).  During those bleak days of the Depression, it must have been something wonderful to watch these two beautiful people singing their love songs while staring into each other’s eyes. Even by today’s standards, their on-screen chemistry is off the charts. It is no surprise that their movies were extremely popular and lucrative magnets for box office profits.  They attracted millions of fans around the world, then and now.

Since it is Valentine’s Day, it is only fitting that the most appropriate Blogathon ever to celebrate Sweethearts is created for our film lovers. Of course, it is The Singing Sweethearts Blogathon hosted by Tiffany and Rebekah Brennan from Pure Entertainment Preservation Society (PEPS). To read more posts about MacEddy movies and their individual movies, please use the link below:


Jeanette MacDonald and Nelson Eddy made eight films together from 1935 – 1942.  Of course, they were musicals; since both were trained opera singers. Eddy always considered himself a singer, first and foremost. MGM’s Louis B. Meyer couldn’t agree more.  Eddy did not do well in his screen tests. As a matter of fact, before he starred in his first movie with MacDonald, he wanted out of his contract; so, he could return to his singing career. The shy Eddy felt out-of-place in Hollywood.  Fortunately for Eddy, his smooth baritone voice could rival Andrea Bocelli tenor voice in beauty and expression. So, after a film career of 16 movies, he continued to give concerts. He performed literally to the day he had a stroke on stage and died hours later, in 1966. MacDonald had a lovely soprano voice; but her on-screen presence and her natural acting ability allowed her to make 28 movies. She was an established star before she made her first movie with Eddy.

I had no idea what a great actress she was; until, I watched my first and only “MacEddy” film: The Girl From the Golden West. Since viewing it a few times, I am a true fan now; and, I intend to binge watch their movies, together and individually.



History: The Girl From The Golden West And Opera

This is the fourth movie made (1915, 1923, 1930 & 1938) that is adapted from David Belasco’s play with the same title. In 1910, Giacomo Puccini turned this play into a popular Italian Opera, La Fraciulla Del West. If you don’t know Puccini, you don’t know opera. Even this gifted child of nine knows Puccini. Amira Willighagen sings on Holland’s TV show, You Got Talent: O Mio Babbino Caro (My favorite, Puccini song). Forgive me for this indulgence. Opera is passionate and full of gut wrenching emotion. To hear a song sung by a child that is basically a mother’s plea for the life of her child is completely overwhelming: That’s Opera! To understand the MacEddy movies, you have to appreciate the impact this genre of music had on their audiences.

With a sample of a Puccini opera piece and a bit of history, I hope it  helps in understanding the appeal that these movies had on audiences of that time.  It was a scary time: world-wide economic Depression with democracies failing and dictators seizing control.  Opera is music that not only tells a tragic story but revels the raw emotions involved within that story.  Please don’t underestimate the impact these songs had on the fans and audiences of that era. Opera has been described as the beautiful sounds and emotions of life itself.

The Movie: The Girl From The Golden West (1938)

This MacEddy movie is a musical western. It is not a cowboy musical western, like a Roy Rogers or a Gene Autry movie. This movie is concerns the dramatic movement to the West with all its dangers and mingling of diverse people and cultures. Granted this is an old Hollywood imaginary version of that era. This movie was also made with the watchful eye of the Hays’ Decency Code. So, the rating today would be probably be a G (General audiences) because no one is killed, no one says a curse word, and everyone is honorable, even the bad guys, in one way or another.

The First Thirty Minutes of  this Two Hour Movie:

The movie begins with settlers in a wagon train moving west. All singing in chorus about their hopes for the future: Sun up to Sun Down🎶. It reminds me of another western musical, Paint Your Wagon (1969). In this film, they sang I’m on My Way 🎶. The two opening scenes are very similar in imagery and song. I would not be surprised if the opening scene from Paint Your Wagon was indeed influenced by this MacEddy film.


We see an elderly man who is driving the wagon. Beside him, is a little girl of 9 or 10. We learn from their conversation that the little girl, Mary, is an orphan. Her dying father, who was a gambler, asked his brother, Davy (Charlie Grapewin) to care of Mary and take her with him if he goes out west. Mary’s mother passed away before her father. Uncle Davy and the other settlers are alerted to break for camp since the Tom Tom of the Indians can be heard nearby.  Once they gather around the camp fire, little Mary (Jeanne Ellis) breaks out in song: Shadows On The Moon🎶. It is a lovely lullaby taught to her by her mother.

As she sings, they are spied on by a Mexican bandit and boy (Bill Cody Jr.) around Mary’s age. They boy is mesmerize by the song and Mary. Just as Mary finishes her song, they are visited by a priest, Father Sienna ( H.B. Warner).  He is impressed with Mary’s song and asked if she swallowed a canary. Mary, being a gambler’s daughter, laughs and claims: I bet ya a dollar that I didn’t.

The padre introduces himself and explains that he lives in a mission nearby. He asks Mary if she could sing for his parishioners in church one day. She promises that she would. Father Sienna explains his mission is to bring civilization to the Indians and bring information to civilization in order to help settlers cross through the wilderness and reach their destination. He pulls out a map to show them where they are in relation to the surrounding mountains and rivers. Some panicked Indian parishioners interrupt the priest.  They explained that he must return to the mission immediately. General Ramirez (Noah Berry Sr.) and his men are there.  Before he leaves, he warns the settlers to stay away from Ramirez because he is very dangerous man.

At the mission, Ramirez and his rowdy men are drunk. The boy seen earlier spying on the settlers is with them. The General begs the boy, Gringo, to sing for the men. They love to hear him sing. However Gringo is reluctant.  The General teases him about mooning over the singing little girl (Mary). The General then persuades Gringo to shoot a sheep with his bow and arrow. If he kills it in one shot, he will give him a medal. Gringo kills the sheep and earns his medal. He then sings a song of camaraderie: Soldiers Of Fortune🎶.

When Father Sienna finds his dead sheep with an arrow shot through its body, he angrily says to General Ramirez: Since when are soldiers warring with sheep?  The priest demands to know who killed his sheep. Gringo steps up and proudly admits guilt. Father Sienna is impressed with the boy’s courage and honesty. He explains that violence and killing can be avoided and that there is a better way. Gringo’s heart is moved; and, he agrees with the priest against Ramirez’s objections. The priest gives Gringo a cross pin. He says it is a medal of a different kind.  The General angrily takes his medal back from the boy and explains to the Padre: If I do not take the medal from the boy when he does something bad, I will run out of medals to give him when he does something good. 

An Indian chief complains to Father Sienna that if the land belongs to his people why are the people trying to settle there. The General yells that the settlers want to take the land and kill all of them.  He demands that Gringo repeat what he said to the chief in his language. Gringo refuses to tell the chief what the General said.

To prove to Gringo he is willing to try to accept the new settlers in an act of friendship, the General and his men decide to pay them a visit. The settlers mistake them for  warring Indians. They shoot at them and fatally wound the General. They make it back to the mission. As the dyng General ridicules Father Sienna, Gringo sadly sings, Soldiers Of Fortunes for the last time. Gringo is so angry with the priest, he ripped his gift pin off his shirt and tosses it to the ground.

The Set up For The Rest of The Movie

The Movie moves from a wagon train, to years later in a small gold mining town, Cloudy Mountain in California. It is here, we find our heroine, Mary Robbins aka “Girl” (Jeanette MacDonald). She is the sole owner of the Polka, a saloon. She is also one of the very few women in town and only single white woman. Yet, our miners are respectful of the Girl while they enjoy camaraderie, boozing, and gambling in her establishment. They also trust her with all their gold and money; until, the coach comes; and, they can send it on to banks for safe keeping.



It is here, Mary talks to one of her admirers, gambler and Sheriff Jack Rance (Walter Pigeon). Pigeon is perfect as the charismatic handsome but dangerous gambler turned Sherriff. He just shot at a man for trying to cheat him at cards. When Mary sees him sitting alone with a deck of cards, she notices his recently used gun displayed on top of the card table. She asks Jack: What’s the gun for? You afraid of cheating yourself? Mary is witty, beautiful and smart. MacDonald adds a western accent and movements to her character. She walks around in long strides; and, her steps are more like stomping around. She convincing embraces the core of her mountaineer character.

Mary obviously understands her power over the men folk; and, she uses it. She also has another admirer, the town blacksmith, Alabama (Buddy Ebsen). Unlike the Sheriff, he knows his love for Mary can only stay within the friendship mode. The friendship is affectionate and warm. Ebsen better known for his TV roles in The Beverly Hillbillies and Barnaby Jones. 

Sheriff Rance sends Alabama to fetch the girl because he has a surprise for her: a piano pronounced: Pie-And- nee. Alabama approaches Mary playing a fife. Mary sings the lovely tune: The Wind in The Trees🎶Which is one of the my favorite songs in the movie. Later in the movie, Ebsen will sing solo in another great song: The West Ain’t Wild Anymore🎶. 

Meanwhile, a Robin Hood type of bandit, Ramirez (Nelson Eddy) and his outlaw gang are causing fear and unrest amongst the settlers in the region. Ramirez is a white man whose parents was killed by the Indians when he was a small child. He is Gringo all grown up. He and his gang enjoy singing their song: Soldiers of Fortune. Eddy is a tall, blonde and wholesome handsome. He resembles Armie Hammer in The Lone Ranger. He is easy on the eyes and he is likable. He is at his best when he is singing or sharing the screen with MacDonald.

Ramirez is popular with the ladies but he is not “in love” with anyone. But, that doesn’t mean he doesn’t have his favorites, like Nina Martinez (Priscilla Lawson). He keeps love coaching his right hand man, Mosquito (Leo Carrillo) to not get tied down with love; besides, it messes with your criminal career.



That is until; he robs a coach on its way to Monterey. This coach has a very special passenger: Mary.  She travels to Monterey every year to sing in Father Sienna’s church. She has done this since she was a child. On this trip she is singing,  Ava Maria🎶

Honesty, the scenes between Eddy and MacDonald are the best part of the movie.  He outrageously flirts; and she; is witty and sassy.  Their whole exchange is truly funny and sweet. In other words, the sparks fly with these two. If Eddy is not a great actor, he had to be completely enamoured with MacDonald off-screen. This kind of chemistry is flawless and timeless. Not since Jane Austen‘s Elizabeth Bennett and Fitzwilliam Darcy in Pride and Prejudice has there been such heated sexual undertones. I ask you, how can a man pointing a gun at you while he is robbing you be so dang charming?

The Girl of the Golden West

I don’t like spoilers; so, you just have to watch and enjoy the MacEddy banter in the movie for yourself. Despite being in dire straits, Mary does not show her fear; since, she knows Sheriff Rance sent a posse for her protection, and probably, for the gold too. When Mary hears horses arriving, she triumphantly announces to Ramirez that he and his men are caught. However, as the posse arrives, Mary soon realizes that the posse is actually prisoners of Ramirez’s men.

As Ramirez continues to rob the people of the coach, he believes he is chivalrous when he allows Mary to keep her necklace from her mother, and her dresses for her performance at the Church. Also, he tolerates  and jokes with her concerning her “sassy mouth.”  So, he continues to flirt with her; until, Mary gives him a parting gift: A sound slap across the face from the window of the “just leaving” coach. Mosquito and the men are shocked that Ramirez allowed Mary to “get away with that.” Ramirez seemed shocked too. He then tells Mosquito to ride with him into Monterey. They will go as visitors; since, no one knows what Ramirez looks like. Once there, Ramirez plans to locate Mary in order to repay her for the slap.

He finds Mary in the Father Sienna’s Church as she sings Ava Maria. 


Upon hearing Mary sing, Ramirez remembers that she is the little girl who sang that beautiful song around the camp fire years ago.  He never forgot the song nor the lovely voice that sung it.  Ramirez is now in full blown, “I am madly in Love” mode. After Mary’s performance, he overhears the Governor inviting her to a ball that evening.  He tells her he will send an Army officer to escort her. Ramirez seizes his chance. So, he “borrows” an Army uniform to escort Mary, while at the same time, he uses his birth name, Anderson. So, Lieutenant Anderson escorts Mary to the celebration; so that he might have the opportunity to woo her.


During the celebration, one of the best dance scenes at that time is filmed, The Mariache 🎶 sung by Eddy. Again, I think this movie may have influenced another Western musical. That movie had one of most memorable dance scenes in film history. The barn raising dance scene in Seven Brides For Seven Brothers (1954).


After spending the evening with Mary, Ramirez/Anderson wants to tell her the truth about himself. So, he follows her to Cloudy and finds her.  In order to woo Mary properly, Anderson/ Ramirez must sing a love song. This clip is an example of MacEddy’s mutual chemistry and his beautiful voice. The song is Who are we to say🎶. Near the end of this clip, Alabama (Edsen) appears. Also, at the end of this clip, I think MacDonald is fascinating to watch.

He is also introduced to Sheriff Rance who had previously asked Mary to marry him. Rance is none to friendly with this new rival for Mary’s attention.  Plus, he is furious that his posse failed to capture Ramirez. So, Rance has set a trap for Ramirez. He put a $10,000 award for his capture and is luring him to the saloon to steal more gold.

No one knows what Ramirez looks because he covers his face and speaks with an accent during his robberies. However, Mary will soon learn the truth about the Lieutenant Anderson’s identity.

The last forty minutes of this movie moves very fast. It involves lynching, sacrifice, lost love, gambling for love and life, and of course the power of True love. As I said before when I began this post, I knew very little of this phenomenal coupling of Jeanette MacDonald and Nelson Eddy. Now, that I do, I am so thankful to Tiffany and Rebekah Brannan at PEPS. This particular movie is not a fan favorite like Maytime (1937) or Rose Marie (1936); but, this and their five other movies are dearly loved.

Besides, the fact the movie is a bit dated, my only complaint would be that it was too long, at two hours. They must have had a terrible time trying to edit this film; since, they would delete all the scenes with Roy Bolger ( The Tin Man in Wizard of Oz) as a character named Happy Moore. Despite the length of the movie, it is still enjoyable.

The story in this film is so appealing that it not only inspired a play, but an Opera, four movies, and finally a novel too.  In addition to this movie, there are seven more movies starring these singing Sweethearts for your viewing pleasure.  I hope, if you have not seen a MacEddy film, you give yourself a treat, and enjoy the escapism of their extremely entertaining films.

Happy Valentine’s Day💞

Reference Links:

Original 1938 Trailer for The Girl From The Golden West:

Nelson Eddy Biography:

Jeanette MacDonald Biography:

Paint Your Wagon (1969):

Seven Brides For Seven Brothers:

Goin’ South with Jack Nicholson

There are only a few Western comedies that I like:  I enjoy Mel Brooks Blazzing  Saddles (1987) with Gene Wilder and Cleavon Little and Paleface (1955) with Bob Hope and Jane Russell.

However, neither of these have an authentic Western feel to them. Which is one of the reasons why Goin’ South (1988) with Jack Nicholson and Mary Steenburgen has been added to my personal Best List.  This movie has all the standard elements that is in a Western Hollywood movie: cowboys, outlaws, a posse, bar room fights,  saloon gals, shoot outs, rail road building, bank foreclosures, Mexicans and Indians, romance, jealous suitors, love for a horse ( named Speed), etc…. Even with all the Hollywood fanfare, Goin’ South has more.

This movie has  some historical content within its sense of time and place.  The time is during the late 1860s – 1870s and the place is a Texan town, near Mexican border. One of the reasons that it seems so realistic is due to the filming location.  Along with some film history, the location used was in  Durango, Mexico.  This was John Wayne’s favorite filming location. The town is basically the same  set Wayne used for the movie Chisum (1970). They only changed some colors and signs.

Another aspect of the authenticity of this film is the historical background of the character, Henry Moon.  He once rode with the infamous Quantrill’s Raiders who became an embarrassment to the Confederate government during the Civil War (1861 – 1865).  The Raiders followed the command of William Quantrill who basically did what ever he wanted to do.  Under his command, they perfected the use of guerilla warfare successfully against Northern Union troops. However, when Quantrill led a retaliation raid against Northern sympathizers, and massacred 180 civilian men and boys, the Confederate government decommissioned Quantrill (1863).  Eventually, Quantrill loses control of his men (known as Bushwhackers); and, they  split up into smaller bands of outlaws.

From one of these groups, a smaller group of outlaw gangs emerges. It is the infamous gang is known as the  James – Younger Gang (Jesse and Frank James’ gang).  To many Southern people, these outlaws were heroes still fighting the war against the corrupted North and their carpetbaggers ( unscrupulous opportunists). This is one of the reasons they were able to elude the law.  Many southern home welcomed these outlaws and hid them too.

Henry Moon wanted to ride with the Younger Gang; but they didn’t think Moon was cunning enough to keep up with their criminal standards. They were probably right.  Henry decided to  start his own outlaw gang of thieves, the Moon Gang.  Hollywood has given these Raiders much attention over the years.  Here are just a few, who rode with Quantrill on film.


Another historical bit of authenticity in this movie, is the town ordinance.  It is now estimated that over 750,000 men were killed during the Civil War. In the 11 Southern states that fought the war, it created a shortage of eligible marrying men. To help the womenfolks and the procreation of the Southern population, some towns had a special ordinance to save a man (not for a murder) from execution. Some people might have preferred the rope when compared to the idea of marrying. Henry Moon was not one of those people.

Nicholson Directs and Stars

This is Jack Nicholson’s second film as Director and his first, of two films, with him as a leading man and director. This project was not planned this way.  Nicholson only wanted to Direct this film. Fortunately, things didn’t work out as planned.  I cannot imagine anyone else playing the role of Henry Lloyd Moon (horse thief) as brilliantly as Nicholson.  This performance is pure Jack, TNT.  There is a lot of manic energy and fun when Moon makes himself act a fool just for the fun of it.  He can also be crass and appalling while at the same time make you laugh so hard that tears appear in the corner of your eyes.  Nicholson’s performance comes across like a shot of whisky: a bit strong at first, then soothes to a delightful perfection.

One the best decisions Nicholson made as a director is making sure that Mary Steenburgen received the female lead in his film.  As a working waitress and trying to break into show business, she auditioned for the part of Julia Tate.  While waiting in the casting office, she briefly met Nicholson.  He  gave her one page to read.  That page grew to many pages of reading; until, three hours later, she was hired.  This film is her debut appearance in a major motion picture.

The Plot

Henry Moon is a criminal about to be hanged as a horse thief.  In the old west, there was nothing as low as a horse thief.  As a matter of fact, some people thought hanging was too good for them.  However, after the Civil War (1860 – 1864), there is shortage of men.  In some western towns, there was a town Ordinance that allowed a property-owning woman to save a man from being hanged provided they got married.  Once married, the redeemed man was required to stay on probation for the rest of his natural life.  Meaning, he must never break the law.  This includes no alcohol consumption, no beating his wife, no gambling, or running away. For some, this would probably be a true test to their character. For Henry Moon, this was “down right” impossible.

The movie begins with a posse chasing Moon on his trusty steed, Speed.  They race over a dusty Texan terrain.  Moon is trying to reach the Rio Grande; so, he can cross over into Mexico. Texan law men cannot arrest him there.  Moon is barely ahead of them as he and Speed continue to swim/walk/run across a small section of the river. Once on the other side, Speed exhaustively falls down. Moon is excitedly jumps around and screams like a maniac: We made it. You can’t touch me.  The law men continue their pursuit and ride through the river.  They promptly rope the running Henry Moon to the ground and arrest him and his horse.

While awaiting his execution, Moon isn’t aware of the town ordnance for saving a condemned man (as long as he is not a murderer). So, when groups of ladies come in to “get a gander” of him, Moon is verbally abusive to them.  He said he felt like a caged animal on display.  Besides being on exhibit, Henry only visitors is his outlaw gang.  He was hoping for them to break him out of jail.  Sadly, they were not up to saving poor old Moon.  They just came to say goodbye and  see if he had anything that he wanted to give to them before he left this earth.  Moon’s gang is composed of one woman, Hermine, (Victoria Cartwright) and three men: Hog (Danny DeVito), Big Abe (Jeff Morris) and Coogan (Tracey Walter).  DeVito would later direct Nicholson in Hoffa (1992).

Sheriff Andrew Kyle (Richard Bradford), lets Moon know it is time for him to go and proceeds to explain the town ordinance to him too.  Moon realizes too late that is the reason all those women coming in to have a look at him.  After all the insults the town’s women endured by Moon, most of them wanted to see him hang.

The first time Julia Tate (Mary Steenburgen) sees Henry Moon, he is standing on a Scaffold with a thick rope around his neck and his hands tied behind his back.  He is begging for any women to take him and save his life.  Two saloon girls, sitting in chairs are watching the hanging event from the end of the street. One remarks to the other one:  This one is pretty stupid.  He is sure to hang.

There is one fragile, elderly widow, Frances, who is moved by Henry’s pleas. She claims him for her own. The Sheriff reminds her that she is a “mite elderly” to be a bride. Frances does care because “he was a veteran of the war; and, he deserved a second chance.” Henry is so elated that after the rope is removed from around his neck, he jumps down and gives her a cuddle.  She is so overwhelmed; her heart stops beating; and, she kneels over dead.

Video clip of elderly Florence savings Moon from a hanging

As they are dragging poor old disappointed Moon back up to the scaffold, soft-spoken, Julia claims him for marriage. Everyone is in shock.  The Sheriff asks her several times if she drunk.  Deputy Sheriff Towfield (Christopher Lloyd) is in unbelief because he has begged Julia to go out with him for a date; and she refuses. Don’t worry about Lloyd getting the girl because he does later in the film Back to the Future III  (1990) as the Professor falls in love with the schoolmarm (Steenburgen).

Mary Steenburgen’s  is totally convincing as the shy, refined and secretive Julia.  Julia Tate is a young lady who sees her marriage to Moon as a marriage of convenience for a business transaction, only.  She is no more attracted to Moon than she was to the Deputy Sheriff Towfield. In other words, the marriage is a sham, not real.

The wedding ceremony
The Newlyweds and their neighbors

Once the couple is married, Julia wastes no time in letting Henry know why she married him.  She needed him as a laborer to work her secret mine.  They only had 30 days before the bank foreclosed on her property.  At the same time, the government was taking her land under Eminent Domain law; since, they needed to build a railroad through the property too.  So, she had to put up with a noisy land surveyor from the railroads while she was trying to keep her gold mine a secret.

As Julia is explaining all of this to Henry, he knows all too well how all of this is going to work out.  He asks her if her recently deceased father believed there was gold in this secret mine.  Julia tells him that her father did not “believe enough.”  Henry says, “Sounds like he was the brains in the family.”

As if the two don’t have enough problems, the neighbors come over to welcome Henry and to advise the newly weds on what married people do best. Little do they know that this newlywed couple have no plans to consummate their marriage.  One lady even goes as far as telling Julia if she is uncomfortable during copulation: Just think of canning peaches. Moon is very disappointed when he finds out Julia does not want to can peaches with him.  To add more stress to Henry’s unfulfilled desires about his bride, he discovers that she was a virgin too.  Not since the African Queen (1951), has there been such an unlikely romantic pairing as Henry Moon and Julia Tate.

So, as they work the mine, hating each other and sometimes, really liking each other, they discover gold.  Now, this is a business partnership Moon can really get behind.  They work as fast as they can and decide to take some of the gold to town to lock up in a box at the bank.  Just like vultures who smell dead meat so does Moon’s old gang smell gold.  They make a surprise visit bringing gifts of alcohol.  Non-drinking Julia gets drunk and lets it slip about the gold.  Henry, being Henry, makes a deal to betray Julia behind her back.  But, he soon realizes he has fallen in love.  The question is does she love him? And for that, I hope you watch the movie for yourself to find out.

Christopher Lloyd is his usual quirky, funny self.  Unfortunately, John Belushi is not. I hate to say it because I really like Belushi’ s work.; but, his talents were wasted in this movie.  His character was underdeveloped; and, he used a  stereotypical Mexican accent which is not funny to me.  He had just completed Animal House the same year as this movie.  Although he was a well-known comedian on television’s Saturday Night Live (1975) he was not a film star yet. Goin’ South was he second movie; and, it was released after Animal House was released.


Some Behind the Scenes Drama

Apparently, Nicholson and Belushi constantly clash on set.  It must have been difficult for both of them.  When Belushi was asked how he liked working with Nicholson the Director, he said: In the end, Jack treated me like shit on Goin’ South.  I hate him. When Nicholson was asked what he thought of the director, he said: The Director of this film is one selfish demanding egomaniac.  And the leading man isn’t much better. 

In truth, Nicolson treated his cast as extended family on set.  According to the producers of the movie, Belushi had a “short fuse” and was constantly fighting with them. When they did not give in to his petty demands, he sulked.  The more his sulked; the less his role became.  This is unfortunate because it would have been interesting to see what his totally engaged talents would have done in the final outcome of this movie.

When Christopher Lloyd was attended a Back to The Future Convention in 2016, he was asked which movie did he have the most fun making.  He said, Goin’ South; and, he wished more people knew about it.  That is “one fun little movie.” I couldn’t agree more Mr. Lloyd.

Happy 80th Birthday Mr. Nicholson, this  April 22, 2017.  This is part of a Jack’s 80th Birthday Blogathon hosed by Gill at Realweegiemidget.  Thank you Gill for such a lovely invite to your Blogathon.  I hope you, the reader,  will want to read more posts about  other Nicholson films.  I almost did this blog on “The Last Detail” (1973) which is my number one Nicholson movie.  So, I am really looking forward to reading  the blogs at this site. Just click on the link below to find more about this amazingly, gifted actor and Director and his work.