Robert Redford is my choice for the Reel Infatuation Blogathon of 2018. I don’t believe this is an unusual pick. Like my crush on Outlander’sSam Heughan, there is a lot of love (by the millions) out there for these two Strawberry blonde (gingers?) actors. The multi-talented Redford has done more than just perform in 79 movies. Besides acting, he directed ten movies; and in my humble opinion, two of those ten films are near perfect examples of the best kind of film making: Ordinary People (1980) and The Horse Whisper (1998). Along with acting and directing, he has also produced 50 films.
In addition to his amazing body of work within the industry, he has been active in many social issues. He is nearly legendary in his work as an environmentalist and his philanthropy. To add to all of this, he is the founder of the largest independent film festival in the United States: Sundance Flim Festival.
Now, before I go further, I would like to thank two wonderful young ladies and bloggers: Ruth from Silver Screenings and Maedez from Font and Frock and A Small Press Life. I hope they will host, like they have for last three years, next year too. To read about more posts about Reel Infatuation, please use the links below:
I chose Redford because he is my first ever crush on an actor. As we all know, you never forget your first love. Unbelievably, my love for Redford didn’t begin because of his stunning good looks or his magnetic screen presence or even for my loving every one of the his 79 movies.
My magical crush happened when he very young (26 years old) and complete unknown to me and the rest world. He had been acting on numerous television shows from 1960 to 1964. He first showed up on one of my favorite shows: Maverick starring James Garner. During this four-year span of time, he had guest starred on quite a number of popular shows at the time: Perry Mason, Route 66, The Untouchables, Alfred Hitchcock Presents, Dr. Kildare, Naked City etc … His last television appearance was in 1964 on The Defenders.
I “fell in love” with Redford while watching a re-run of a very popular television show Twilight Zone (1959-1964). For those unfamiliar with this American television show, it was created by Rod Serling. He was a producer, playwright, and screenwriter. In addition, he introduced and closed each episode with his compassionate pathos and unique voice.
The Twilight Zone
This series is a science-fiction, fantasy, horror anthology. It was brilliantly written, acted, and realistically presented with twists and turns in the end. Also, and maybe more importantly, it usually had a philosophical, howbeit hidden, message about the nature of mankind and what life lessons we need to be learning. Usually, this was an emotional truth that Serling felt should be shared. The legacy of his Life Lessons.
A Few Notes About The Creator of Twilight Zone
Right out of high school, Serling joined the Army to fight in WWII. He was wounded several times; but, he kept going back to combat duty. He fought hand-to-hand combat in the Philippines. After the war, he suffered from severe PTSD (Post Traumatic Stress Disorder) that haunted him with night terrors for the rest of his life. While working in Hollywood, he was known as an “angry young man.” There were issues that he continuously fought against: racism, the Vietnam war, and censorship.
Twilight Zone: Nothing in The Dark
An old woman living in a nightmare, an old woman, who has fought a thousand battles with death and always won. Now she’s faced with a grim decision – whether or not to open a door. And in some strange and frightening way, she knows that this seemingly ordinary door leads to the Twilight Zone.
They claim the best writers always write at an emotional level that they are most familiar with. This introduction conveys the words written by an ex-solider who has witnessed death and is still haunted by it in his dreams.
More People Behind The Scenes
Nothing in The Dark first aired on January 5, 1962; and, it only ran for 24 minutes. There are three actors: Gladys Cooper, Robert Redford, and R.G. Armstrong. It was co-written by screenwriter George Clayton Johnson (Logan’s Run (1976), Twilight Zone: The Movie (1983), and Ocean’s 11 (2001). Here are a couple of pics of Johnson with Redford and Gladys Cooper.
This episode is directed by Lamont Johnson who will go on to win two Emmys for Directing two made for television movies: Wallenberg: A Hero’s Story (1985) and Lincoln (1988). In this clip he explains how the unknown twenty-six year old Redford was hired and the superb British actress, Gladys Cooper reaction after meeting him. This interview was published in October of 2010…48 years after it first aired in ’62.
A Summary of Nothing in the Dark
This story centers around a sad, lonely old woman, Wanda Dunn, (Gladys Cooper) whose fear of Death is so great that it has forced her into isolation for most of her life. Oddly enough, she can recognized Death in his infinite forms and disguises. She “knows him” and has been able to avoid him for years. However, there is a cost to pay for having this amazing skill: fearful isolationism. She has never really lived her life because her fear has trapped her from others. As a result, she lives alone on the bottom floor of a dilapidated apartment building. With double locks on her door, she is totally alone, as she nervously sleeps.
One snowy night, she is awaken by the sound of class breaking, probably her own window; then, she hears a whistle and then, gun shots. A policeman, Harold Beldon, (Robert Redford) is shot and begs for help. Should she open her door and try to save him? Is it Death tricking her?
She finally gives in to his cries and helps him into her flat. She places him on her bed as he profusely thanks her. Then, he begs her to call a doctor, or the police, or an even a neighbour. She explains that she does not have a phone and all the neighbors have moved away. She refuses to go outside to look for help because “he” is out there waiting for her. She decides she can trust the young man; since, she didn’t die when he touched her. She reveals her life story and her gift of recognizing death.
Here is a clip of those first 3 minutes of their encounter.
As incredulous as Wanda’s story sounds, Beldon is sympathetic to her tragic situation. Suddenly, there is someone banging on her door. She is too afraid to answer it. Someone is breaking in the door. Finally, the door flies open; and, Wanda crumbles to the floor, unconscious.
A contractor ( R.J. Armstrong ) is relieved that she is still alive. He explains that she must leave because he is tearing the old building down to build a new one. He tries to calm her down by explaining that how things work in life. Wanda is terrified to go outside; so, she asks Beldon to help her explain it to him. The contractor looks at her like she is crazy. He warns her that she must gather all the things she doesn’t want to leave behind. He said he would help her move her them; once, he comes back in an hour.
Wanda is feeling so hurt and overwhelmed that she cannot understand why Beldon did not say anything to the contractor to help her. Then, she realizes that Death tricked her. I must say Ms Cooper’s performance is this show is what ” pulled me in, hook line and sinker.” I felt so sorry for her and what she missed in her life. All because of a fear of something that was enviable.
I was completely into this story. So, you might understand how shocked I was when I learned that twenty years earlier, Cooper played Betty Davis’s BITCH mother in Now, Voyager (1942). Who I hated. Cooper plays a better bitch than Betty Davis in any of her best Bitch roles. This is quite a compliment to Cooper, who I love as Wanda Dunn.
Once Wanda realizes that Beldon is Mr Death, he begins to calm her down and reassure her she has nothing to fear from him. He charms her and convinces her that she will be at peace and in comfort. In order for Wanda to surrender her will to Beldon there has to be a believable sense of compassion and trust. Not only for the characters, but also between the actors too. This can then be felt by the audience: The connection is successful. This bond and chemistry between Gladys Cooper (who was 74 years old) and Robert Redford (who was 26 years old) was very strong and compelling.
When he reaches for her hand and begs her to trust him and to come with him, I wasn’t sure if she would. Then, in one second everything changed. It changes with two heartfelt words. He softly, begs: Please, Mother.
That was the moment that I cried and fell in love with Redford. I doubt Wanda has ever been married or had children. Beldon is probably the only person/Inhuman ever spoke those words to her in her entire life. In the video clip, Lamont Johnson tells the story of the actors mutual respect. Without their mutual regard and respect, this performance could not have been as successful.
Rod Serling closes this episode with the following words:
There was an old woman who lived in a room. And, like all of us, was frightened of the dark. But who discovered in a minute last fragment of her life that there was nothing in the dark that wasn’t there when the lights were on. Object lesson for the more frightened amongst us, in or out, of the Twilight Zone.
Here is a 2 minute video clip that I found on You Tube that mashes scenes together to summarize the story. Unfortunately, the “Mother” was completely left out. To me that was a huge mistake.
In closing, I have added an interview clip with Redford published four years ago. He is reminiscing about this 52 year old episode. It is very interesting because he mentions the “wonderful dynamic” between the two characters. It’s funny because when most people think of great chemistry between actors, they usually refer to sexual attraction. However, for actors it means so much more.
I once remembered a quote that defined love not in years but in moments … if that is true; the, my “Reel Infatuation” with Redford only started in a moment; but, happily his work keeps adding more moments over the years.
Please check for more “Reel Infatuation” stories by using the links near the top of this post.
Like most people, I have always been fascinated by the concept of Time Travel. Back in the early 80s, I remember a reading an article written by astronomer Carl Sagen. He was so excited about the “reality” of sending a letter to anywhere in the world, in mere seconds. Can you imagine sending humans across the universe to a parallel universe or better yet to another era of earth time? I often wondered if he ever thought that the idea of faxing might be the building blocks to actual time travel?
I also wonder if Albert Einstein believed time travel was possible in the 20th century; since,he spent so much of his energy/time and space on this possibility. As a result, he left us with his time-continuum theory/ theory of Relativity. Even today, it is one of the most recognizable or iconic equations of all time: E=MC2. Basically, this is an equation that symbolizes the conversion of mass into energy and energy into mass by manipulating the travel-speed of light.
As you can probably tell, I am excited about the theme of this blogathon: Time Travel in the movies. I want to thank Rich of Widescreen World and Ruth of Silver Screenings for hosting this event. Please use the link below to find more articles on time travel in the movies:
This movie is based on a book: Timeline (1997) by author Michael Crichton (Jurassic Park, Coma, Andromeda Strain, Westwood...). Due to his background in medicine, he immersed his novels with his science and medical knowledge. One of the reasons I choose this movie was because of Crichton’s meticulous approach to details. When he sold the movie rights for this book, it was with the condition, they would use his back drop story. He had a theory about how time travel might actually be accomplished. He took the idea of faxing to a Time Travel level. Carl Sagan would be proud.
The Movie Summary
Professor Johnson (Billy Connolly) is working at an archaeological dig in France near a medieval castle, Castlegard. He is aided by his assistant, Kate (Frances O’Connor), and his son, Chris (Paul Walker) and his other assistant, Andre Marek (Gerard Butler). The funding of this dig comes from a corporation that is conducting experiments on an accidental “wormhole” it created while attempting to transport a box through a type of huge Fax machine (Time Machine).
All reports from the dig-site are sent to this corporation. The CEO, who receives the dig site reports, also directs the transportation project. He kind of reminds me of Bill Gates type, Dr. Robert Doniger, played by David Thewlis. At the dig site, Chris is trying to start a romance with Kate. Marek explains to him about true love. He uses a medieval grave site of a royal couple to help explain the aspects of true love.
Later, Kate and Marek are lowered into a “just found” tunnel. They find something that astounds all reason: Professor Johnson’s reading glasses are there. Unbelievably, the eye glasses are six hundred years old. Yet, they recently seen them on him the day before. When they try to locate the Professor, they find that he is missing. He was last seen going to the Corporate Lab to report dig findings. The three assistants, along with a few other scientists from the dig site, accompanied them to Corporate.
Frustratingly, Dr. Doniger gives them his explanation. Professor Johnson has been transported back in time to 1357 Castlegard, France. He has a “marker” that will direct him back to the 21st century as long as he is at the opening of the wormhole by the designated time. Problem is, he didn’t return. They are not sure what happened to him. The marker only works for a limited amount of time. So, Doniger elicits the help of the three assistants with their co-worker, Francois Dontelle (Rossif Sutherland) to go on a mission to bring the Professor back. To lead them and protect them, Frank Gordon (Neal McDonough) and a few other Corporate men go with the group.
Already, something about all this feels wrong. Why did Doniger wait to contact them about the missing Professor. They would not have known anything if the Professor had not left his glasses, five hundred years ago, as a clue. Plus, Gordon acts a bit afraid to go. Not quite trusting Doniger, the group agree with the plan to retrieve the Professor.
Sadly, the time machine looks like the transporter from 1960s classic TV show: Star Trek. There we find Engineer Scott “Transporting” Captain Kirk (William Shatner), Mr Spock (Leonard Nimoy) and Doctor McCoy (Deforest Kelly) to the surface of a planet from space. A beam of light is manipulated to transport their bodies through space.
So with earth shattering pain from the transport, the adventure begins. They are transported back six hundred years ago. They arrive in the middle of a war. This war is the Hundred Years War between France and England. The same war that saw combat action from Richard III, Henry V, and Joan of Arc, although they never actually met on a field of battle or anywhere else. A time period where the Black Plague was prevalent and European men loved cropped hair styles God and obeyed the Church.
Before the Professor can be found and just after they appear in 1357 France, a couple of the Corporate guards are murdered by English soldiers. Marek rescues a boy from English soldiers only to find out the boy is a girl, Lady Claire (Anna’s Friel). Then, the whole group is captured by the English Lord Oliver (Martin Sheen) as French spies. We also learn he is holding the Professor prisoner too. To keep Oliver from killing him, the Professor promised to make him a weapon to defeat the French: ” liquid Fire” or Greek Fire. This plays havoc on the whole changing the future idea.
Back at corporate headquarters, one of the wounded men is sent back. Unbeknownst to them, he had pulled the pin to a grenade (illegally brought to the past) while he was fighting the English for his life. Right after the body is transported, the grenade in his hand blows up in the time machine. So, Doniger is busy trying to repair the damage before the time will expired to bring the group back.
The group escaped Lord Oliver but get separated. Marek rescued Lady Claire again. Professor Johnson, Chris, and Kate are captured again. After all these rescues, Marek and Lady Claire begin to fall in love. They have some cute courting miscommunication even though Marek is the only one who speaks her archaic French language (Occitan). They are eventually found by her brother, Prince Regent, Lord Arnaut (Lambert Wilson).
When Marek leaves the French camp to find his friends, he becomes captured again by the right hand man of Lord Oliver, Sir Dekere. As a prisoner, Marek is reunited with his friends who are also prisoners. Soon they learn, that Sir William Deker (Marton Csorkas) is really William Decker from their time. He was left behind and assumed dead. He is convinced that the group is there to kill him. He explained that he has Time travelled several times. He reveals to the group a secret. A secret that Dr. Doniger wants to kill him for in order to ensure his silence. The secret: Each time you go through the transport, your cellular atoms mutate. Due to the internal damage, you will eventually die sooner than you normally would.
Dr. Doniger really wants this rescue mission to fail; and, he sabotages the efforts to fix the time machine before the wormhole appears again. Not wanting to spoil the interesting ending, I will leave the summary here.
Personally, I enjoyed the movie. I don’t know anyone who didn’t like this movie. However, that doesn’t mean it doesn’t have its flaws or that there are people who hated it. Crichton hated the movie so much that he refused to sell any more movie rights for his books. However, after he died of cancer in 2008, his estate did sell his friend, Steven Spielberg, the rights to Pirate Latitudes.
So, what happened to this “could have a great movie?”
It is directed by Richard Donner (Lethal Weapon [1 – 4], Superman (1978), Goonies (1985), Scrooged (1988)…) The cast is exceptional: Sir Billy Connolly, David Thewlis, Gerard Butler, Paul Walker, Frances O’Conner, Michael Sheen, Anna Friel, Neal McDonough, …. It had a generous budget of 80 million dollars. By all rights this movie should have been a huge hit with some sequels.
Again, it has a great story, an excellent director, cast and crew and mucho money. So, what happened?
First: It was a disaster at the box office. The first week it opened it made a little over 8.4 million dollars. It grossed not quite 20 million in the USA. In the international market it made 43.9 million. In other words, it lost money.
Second: The hype was overwhelming….people wanted to see this movie. Yet, release dates kept changing. Donner had to ‘re-cut this 136 minute movie to 116 minutes. The studio sent this movie back four times for edit/cuts. Of course, details of the story were cut out of the film. These details helped audiences understand the story; and, allow it to be believable. As a result, it became an action movie and the valuable concepts and plots were lost on the audience.
Third: Possibly, the heart of the movie was removed. At the beginning of the film, Billy Connolly had a prologue that explained his character’s disappearance. This was vital to the story: and helped introduce the plot. Instead, the movie starts with some guy in a robe running around in the desert/forest. One minute he is in a forest running from a knight on horseback. Then, he is struck down by sword. Then, he falls in the middle of the road in the desert. A car stops to assist. We don’t know the guy; and, he dies in the emergency room. Some suits show up to retrieve his medical records and x-rays. The attending doctor says there are abnormalities in the x-rays. For me, this was too soon for a such a small clue for me to use later. Of course, I completely forgot the scene because it is not memorable.
Fourth: Historically the film is inaccurate. There was no Battle of Castlegard. The language was neither French or English. It was before Shakespeare and after Chaucer. In the book, Crichton gave each of them a high-tech ear translator. This was not done in the movie. The language barrier was not appropriately addressed. On top of that detail, the shields had emblems of countries and regions that did not exist in 1357. Canada is one and Germany is another country.
Again, I thought Timeline was an enjoyable movie. No, it does present a reliable theory concerning Time Travel or its impact on society. If there was a perspective about Time Travel in this film, it might be that time travel should not be attempted. What good can come from tinkering with the past? Besides, according to this movie, the human body was not made to withstand the subatomic makeover from travelling the speed of light; with or without a wormhole. It is sad that the movie was edited and cut to its death. This promised to be a great movie; but, was reduced to enjoyable in 116 minutes.
Presently, quantum physicists are still working on the possibility of time travel. What I do know is that six years ago, college students were able to bend light from another room. At this rate, who knows if space and time travel is not only possible but may actual happen in our near future. Honestly, didn’t we just send a Tesla car into space blasting David Bowie’s Space Oddity on the radio. On second thought, maybe there are travels that we, as humans, will find beyond of our realm of attainable possibilities.
With a new year, you can expect new challenges. As a blogger, my year started out with a FANtastic challenge. This year I have been offered the opportunity to write a post that “pays forward” The Twelve Days of Christmas. The gifts given here is from the popular television series, Outlander, specifically Season 3. These gifts were givento fans of Outlander throughout this past year of 2017.
Many people, including myself, believe that the true spirit of Christmas should not be celebrated once a year but everyday of the year. So with that said, allow me to present to you, dear reader, with The Twelve Days of Outlander. I begin this post by highlighting “some” of Season 3’s main events. It would be impossible to include everything in this post from Season 3; since, there is an over abundance of memorable scenes and surprises. So, I begin by discussing some of those major events (plot and subplot themes). I will include the first and second day of Outlander gifts 🎁 to fans within this long review. Afterwards, I will conclude with listing the final ten gifts.
If you have notseen Season 3 or read Gabaldon’s Voyager, you need to know that this post is loaded with spoilers. For those of you, like me, who are in Droughtlander (a space of time between two seasons), I hope you will enjoy this post; and, for you, who are just curious, I hope you too will enjoy the post.
What are some of the Events in Season 3?
Jamie and Claire Fraser’s twenty years of separation, the Battle of Culloden, their reunion, the journey and adventure to rescue Wee Ian Murray from pirates, fighting the Bakra and a Sea wreck on the coast of the New World.
The Reunion and Tweny year Separation
Season 3 is based on the third book, Voyager, by Diana Gabaldon. Personally, this is one of my favorites from the eight-book series. One of the most significant events in the book is the Jamie and Claire reunion after being separated for over twenty years. Here we find a much older Jamie and Claire struggling to find their comfort zone in each other’s hearts and matured lives.
Let’s face it: An 18th century Scottish Highlander-warrior has different skill-sets and cultural perceptions when compared to a 20th century English mother and Combat-Army nurse who had struggled to become a Civilian surgeon in the late 1950s. Without a doubt, they will need years to work out their personal differences and on going martial issues. Added to these tantamount obstacles, there is also a bit of explaining to do for all their decisions and mistakes made during the last twenty years. On the first night of their reunion, Jamie questions Claire about her motives for coming back to him, 20 years later. To say the least, time travel is a bitch.
Jamie drives home the point: He is not the same man that she once knew. Now he has additional aspects to his complex life: 7-Years as a cave dwelling hermit, ten more years of prison, smuggler, printer, treasonous writer, second marriage, his son: Willie… Nor, is she the same Claire, he once knew: a mother who raised a twenty year old daughter, a married woman of 23 years to Frank, a doctor with a Harvard degree, Women’s Liberation, The Civil Rights Moment, a man on the moon, penicillin…. Regardless of the time traveling consideration, life has a way of changing us through our experiences. Claire and Jamie are no exception to this rule.
Personally, Claire has more trust issues and lacking a bit of confidence in herself. Whereas Jamie is extremely stoic and definitely trusts no one, completely. Due to his criminal actions, Jamie is very complex person with a very complex life. For instance, depending on what he is doing at the time, he has various names or aliases for of his various actions or occupations. Obviously, Jamie and Claire have major difficulties to resolve in their ongoing relationship. Fortunately, they have common bonds besides their enduring love for one another, both mirror each other in courage and perseverance. Plus, they have aged well; and, they are still the sexiest couple on film and probably on the planet.
Outlander Caitriona Balfe and Sam Heughan photographed on the Outlander set in Cape Town, South Africa on March 9, 2017 by Ruven Afanador Balfe’s Costume: Marnie Ormiston; Hair and Makeup: Anita Anderson; Heughan’s Costume: Kirsty Allen; Hair and Makeup: Wendy Kemp Forbes; Set Dressers: Jason Broderick and Thomas Leppan; Production: Baker Kent Productions
Outlander Caitriona Balfe and Sam Heughan photographed on the Outlander set in Cape Town, South Africa on March 8, 2017 by Ruven Afanador Balfe’s Costume: Marnie Ormiston; Hair and Makeup: Anita Anderson; Heughan’s Costume: Kirsty Allen; Hair and Makeup: Wendy Kemp Forbes; Set Dressers: Jason Broderick and Thomas Leppan; Production: Baker Kent Productions
🎁 🎼 So, on the First Day of Outlander Gifts 💝 fans were given a hilarious and imaginative parody of Jamie and Claire’s visit to CouplesTherapy provided by MTV’s funny man David Horowitz ….🎼 Fala La La La 🎶 La La La🎶
🎁🎁 🎼 On The Second Day of Outlander Gifts 💝 fans were given superbperformances by Caitriona Balfe, Sam Heughan, Tobias Menzies, Grant O’Rourke, Sophie Skelton, Richard Rankin, David Barry, Steven Cree, Laura Donnelly, Hanna James, and by the whole hard-working cast. In addition to the performances, fans were gifted by the producers, directors, writers, art and set designers, cinematographers, makeup artist, and anyone who worked on any part of Season 3’s episodes. Thanks to you all for your gifts of creativity and hard work…🎼 Fa La La La La; Fa La La La🎶
The following contain several gifted scenes and pics from Season 3: The Separation years and the Battle of Culloden (Episodes 1 – 5).
Another Major Event in Season 3: The Battle at Culloden
🚫Dear Reader: Unless you are suffering from Droughtlander (the space between seasons) or you just like to read, you may wish to scroll through the next several paragraphs; until, you reach the rest of the Outlander “Pay It Forward” Gifts 🎁 🚫
Another major event in Season 3, the book and Scottish history: the Battle of Culloden. The last battle for the Jacobite Rebellion. The images within these scenes are not only memorable but eerily beautiful.
The opening scene has to be one of the best in television history. If Sam Heughan’s (Jamie Fraser) performance in these scenes does not receive critical praise; then, I am convinced that critics are either dishonest in their reviews; or, they haven’t a clue as to what a great performance looks like. As the scene begins. an unconscious and wounded Jamie is lying among the massive number of dead on the battlefield. He awakens with his body partially covered by the dead body of Captain Jack Randall (Tobias Menzies). His first thoughts: I am dead. He goes in and out of consciousness as he remembers bits and pieces of the battle and his life with Claire (Caitriona Balfe)
Jamie is waiting for death. He wants to die. He not only wants to end his physical pain; but, his emotional heartbreak as well. This was the last major battle of the Jacobite Rebellion. They fought to put the “rightful” King (Prince Charles Edward Stuart/ aka Bonnie Prince Charley) on the British throne. With the poor leadership of Prince Charley (AndrewGower) along with terrible strategies, the Battle of Culloden becomes a horrific defeat for the Scots. Scotland will forever be changed due to hundreds of years oppression that follow this defeat. Most highlanders were killed in battle or soon after. Jamie wanted to die in that battle. He sent his wife and unborn child into the future, never to see them again. Of course, he wanted to die. In his mind, life was not worth living anymore.
As he suffers from his wounds, he awaits for the Angel of Death or the blade of a British solider’s bayonet to end his life. All around him, wounded highlanders are killed by British soldiers. Then, a light snow descends from the night sky. Near him, he watches a bunny rabbit scampering about. While lying there, Jamie has a vision of Claire.
His cousin, Rupert Mackenzie (Grant O’Rourke), finds him dying. He refuses to leave him there and helps him off the battlefield to a small cottage (the only building) on the battlefield. Eventually, the remaining Highlanders are found and kept there as prisoners; until, each is executed: One at a time while the other prisoners can can hear the shots.
Jamie listens as each man gives his name to be recorded just before they are shot. Then, near the cottage, Jamie painfully listens to the fatal shots. Sadly, some of the men were as young as sixteen. The tears start flowing when Rupert says his goodbyes to Jamie after he volunteers to go next.
Twenty Years of Separation for Jamie and Claire
For Claire: Co-parenting her daughter, Brianna, with Frank is a double edge sword: She loves that Frank is a wonderful father; but their marriage as a couple is void of passionate love. She cannot forget Jamie, especially while loving his ginger haired daughter. So, she continues to pine for him even though he died two hundred years ago. To her credit, she tried to leave Jamie in the past. She even agreed to never speak of Jamie or to tell Bree about him while Frank was still alive. However, talking and thinking are two different things. So, cleansing Jamie from her was impossible for Claire. Nothing can stop Claire’s love for Jamie Fraser. Naturally, Frank resents her for this. For Bree’s sake they remain together as parents; but their marriage is a sham: “friends” with benefits as Frank promises to be discreet with his girlfriends. How utterly lonely for Claire. This will have a negative effect on her self-confidence and trust in others.
Frank cannot compete with the memories of Jamie. As a result, Professor Randall looks for love and companionship with his female students. Unfortunately for Claire, Frank not only left her feeling lonely and unwanted, he also did not appreciate her mothering duties. He encourages her to go back at school. However, once her schooling was complete, he resented her leaving their home and child to go to work and making friends like Joe Abernathy. Frank was a man of his times. He accepted the social rules of separating the races while he secretly thought Claire was having an affair with Joe. This was not touched on in the show but was mentioned in the books as one of his reasons for wanting to take Bree back to England and leaving Claire. I am glad the writers left this out.
Claire has entered into a “man’s profession” of medicine. She receives little support except for her friend of color, Joe Abernathy (Wil Johnson), who is also on his own due to “Separate but Equal” policies of segregated America and during the Civil Rights Movement. These are major changes in Claire’s life which also affects Claire’s character and personality.
There are plenty of life changes for Jamie Fraser as well. He was seriously injured in the fatal Battle of Culloden. But he lived when nearly every warrior he knew and fought side by side with died. He survived. Despite the fact, he is sent home to die, he survives and becomes a hunted man. To avid capture, he lives in a cave for seven years; and, he hunts food at night and sneaks it to his sister’s home at Lallybroch. He provides food for his sister’s family who happens to be his only family now. While hiding in his cave and avoiding capture, he becomes part of the Scottish lore, The Red Bonnet.
Eventually, after young Fergus (Romann Berrux) has his hand lobbed off, thanks to the to the Redcoats trying to find Jamie, he has had enough of his family being harassed and arrested because of him. He decides that it is time to turn himself in to the redcoats. He begs his sister to work with the British to trap him; so, she can collect the award money. This award money is desperately needed to help all the families on the Lallybroch lands.
Jamie goes back to prison for another ten years. There his finds his “godfather,” Murtagh Frizgibbons (DuncanLaCroix), barely alive; yet, he too is a survivor of the Battle at Culloden. Eventually, Jamie is befriended by the new prison commander, Lord John Grey (DavidBerry). Grey is secretly gay and falls desperately in love with Jamie knowing Jamie cannot and will return his love. Yet, the two men learn to trust each other, eventually. Grey realizes he is fortunate to earn Jamie’s trust and friendship. Both men respect each other and consider the other as a honorable man.
The following is a clip of a scene between Jamie and Grey as they reveal their sorrow for love ones they lost.
Grey’s appearance in Season 3 is pure joy. He is a fascinating character that Gabaldon has dedicated another series of books too. I hope if there is a spin-off show off of Outlander, I hope it is Lord John Grey.
When the prison closes, Grey prevents Jamie from going into transportation to the American colonies as an indentured servant. Instead he arranges for Jamie to go to the English country estate of Helwater. Jamie’s rebel prisoner status is kept a secret from the Earl’s wife, Lady Louisa Dunsany (BethGoddard). The Dunsanys’ son was killed in a battle against the Jacobites. When Jamie expressed sympathy for the Dunsanys’ lost, he explained to the Earl that he understood since he had lost his own two children. The Earl of Dunsany was moved by Jamie’s statement. He agrees to give him a small stipend and his prisoner status to be kept secret. Although Jamie remains a prisoner, he is “hired” as a groom due to his skill with horses.
Poor Jamie! Why does everybody want to jump his bones? Soon after he begins his work as a hired groom, he is blackmailed by the Geneva Dunsany (HannahJames). A seventeen year old daughter of the Dunsanys who is arrogant, lacks self-discipline and is spoiled rotten. In addition, she is a virgin who is betrothed to the Earl Of Ellesmere (a man in his 60s). She is determined that her first sexual experience will be completed with someone she is actually attracted to and is powerless to refuse her. Hello, Jamie! According to Geneva, Jamie is an ideal candidate because he has been married; and “he will know what to do.”
Two days after Geneva loses her virginity to Jamie Fraser, she marries the elderly Ludovic Ransom, The Seventh Earl of Ellesmere (JamesCameron Stewart). Apparently, one night of love-making with Jamie was too much for Geneva’s fertile eggs. Geneva becomes pregnant; and, nine months later, she delivers a healthy baby boy. Sadly, Geneva, like many women of her time, dies within hours after giving birth. As the Dunsany family gather to Geneva’s dying side, she confides to her sister the identity of the real father. Soon after Geneva dies, a grieving Isobel (TanyaReynolds) confronts Jamie. She is interrupted by a servant who cries for their help. Lord Elesmere verbally attacks Geneva’s grieving parents. He yells about the betrayal and sham of his marriage. He knows the child could not be his; since, he and Geneva had not consummated their marriage. He is beyond angry: Raging mad is a better description. The Dunsanys beg Lord Elesmere to give the baby to them. Suddenly, he threatens to kill the newborn. As he holds a knife over the baby and about to plunge it into its small body, Jamie shoots a pistol and kills Elesmere. Jamie kills the Earl; but, he saves his own son.
William makes child number three for Jamie. The first two were girls: Faith and Brianna. Even though Jamie never met either of them, he continued to feel the hurt and pain of a Father who lost his children. On the other hand, his son, William, is there; and, Jamie can see, touch, and speak to him. What he cannot do is claim William as his own. Eventually, Lady Dunsany shows her appreciation to Jamie for saving her grandson’s life. Through her husband’s influence, she offers him a promise to obtain his pardon from the King. After years of being hunted and held as a prisoner, he can finally be free again and go home to Lallybroch. Jamie thanks her but asks if he would be allowed to stay on as a stable hand instead. He cannot leave William behind; nor can he confide this to Lady Dunsany. Instead, he explains that his family in Scotland are on hard times; and, they need the money he sends them. So, Mackenzie (Jamie) stays on at Helwater as a free man, a groom; but, more importantly, as a father to watch, observe, and be near his son, William.
A major obstacle appears as William (ClarkButler) grows older. By the time he is six, his has a near identical resemblance to Jamie. The only difference is their hair color. Willie has his mother’s dark hair instead of Jamie’s Ginger hair. However, people are starting to notice Jamie and William’s uncanny resemblance. Jamie will not jeopardize Willie Ransom’s wealthy inheritance and title as the future Eighth Earl of Ellesmere.
Mackenzie/Jamie tearfully says goodbye to the Dunsanys, Lord John Grey and his son. Isobel and Grey marry and become legal guardians of Willie. They both promise Jamie to love and protect Willie while keeping Jamie’s secret.
Jamie goes home; but, he is painfully lonely. He misses Claire and their baby; and his his heart aches for Willie. So, his sister plays matchmaker. At Lallybroch on Hogmanay (Scot’s New Year Eve party). Jamie is charmed by two adorable little girls. The younger one’s name is Joan (LaylaBurns), and; has red hair like Brianna; and, her slightly older sister’s name is Marsali (LaurenLyle). They plea with Jamie to dance with them. Which makes Jamie laugh; since, it is usually the males who ask the females to dance. During Jamie’s dance with both girls, Jamie openingly laughs and smiles. He has a soft spot for children; plus, he was reminded of his own two lost daughters. Because the girls are fatherless; and Jamie yearns to be somebody’s father and someone’s husband again, he marries their mother. The mother is “A want-to-be-Jamie’s girlfriend” Laoghaire Mackenzie (NellHudson).
This is definitely not one of Jamie’s wisest decisions. The marriage fails almost before it started. He soon finds himself, alone again, and making a living as a printer in the city of Edinburgh. There, he finds very little profit as a printer. So, he resorts to the lucrative, but criminal, side business of smuggling French wines into England. He is always taking care of love ones first; so, he sends money to his sister, Jenny Murray (LauraDonnelly) and her family in Lallybroch; and, he also sends money to Laoghaire for her care and his “adopted” daughters. To save money, he has arranged for a free room that is close to the docks and harbor. It includes free meals and privacy in a location that is another shocker for our honorable Jamie Fraser: a brothel. This is provided by a Madame who not only owns the brothal but who is also one of Jamie’s best customers. She buys a great deal of smuggled French wines.
The Reunion of Claire and Jamie
That moment when Claire and Jamie see each other after twenty years is priceless. Take a look at it in the following clip.
Has Jamie and Claire changed after twenty years? Without a doubt. No matter how much the lives and personalities have changed, there is one thing that stays constant: Their connected souls. When your love is shared Soul Deep, there is nothing that can separate you from that love. Jamie and Claire will learn to adapt to each other’s changes and begin a new life together.
The next scene reveals their awkward awareness of each other:
The long-awaited event of Jamie and Claire’s Reunion is not the only romantic event in Season 3. There are other loving couples such as Bree and Roger and Fergus and Marsali.
We are introduced to an adult Bree (SophieSkelton) in the sweetest romance with a Scot who is Oxford history Professor, Roger Wakefield (RichardRankin). Bree lives in Boston. Roger travels from Scotland, at Christmas time, to present to Claire proof that Jamie survived Culloden. Plus, he wanted to see the Randell ladies because he has a huge crush on Bree. When Bree learns that Jamie survived Culloden, she encourages her mother to go back to him. She wants to make her mother happy again; and, she wants to thank Jamie for his sacrifice and love. This may be the only time she can communicate to her real father that she loves him too. Claire travels back in time to find Jamie Fraser again.
Once back and reunited with Jamie, Claire is shocked and surprised to learn of Jamie’s second marriage to Laoghaire Mackenzie. This is a shocker since Laoghaire tried to have Claire burned as a witch. Laoghaire wanted no obstacles in her way in securing Jamie’s love. Claire also finds the Lallybroch family has grown up since she had last seen them, especially wee Ian (JohnBell). Young Ian is a sixteen year old who is determined to be with his idolized uncle Jamie that he repeatedly runs away from Lallybroch to be with him.
We also learn of the deaths of Black Jack Randall and Claire’s first husband, Frank. Finally, we meet Jamie’s newest loyal friend, Lord John Grey (DavidBarry). I hope some smart producer or producers will make this character into a spin-off series. The Grey books are crime solving mysteries with a lot of humor in them. Plus, Jamie Fraser appears in some of the books to help him out.
A brief summary of the Second Half of Season 3
The second half of the season is like the rollercoaster ride of adventures. Wee Ian is kidnapped by pirates while trying to recover a small treasure chest hidden on a small island in Northern Scotland. Jamie and Claire use Jamie’s uncle Jarred’s ship, the Artemus, to follow and rescue the lad. While at sea, a British man of war seizes the Artemus looking for doctor to help treat the crew who are quickly dying from an unknown disease. Claire volunteers to go on board against Jamie’s objections. The British Captain (CharleyHiett) promised to return her; but, he lied. One of the British crew recognized Jamie as Alexander Malcolm: A Scot printer who is wanted by the British crown for treason and the murder of a government employee. In fact, it was actually Claire who accidentally killed the government inspector while she was defending herself from being sexually assaulted in Jamie’s room at the brothel.
Voyages And Shipwrecks
Since most of the senior officers have died from the mysterious disease, a recently promoted and very young, Captain Leonard keeps Claire on board his ship to make sure Jamie follows him to Jamaica. He hopes his much larger and faster ship will reach Jamaica before Jamie’s cargo ship. He wishes to set a trap and arrest him for murder and treason. The Captain of the Artemus has agreed to help the British captain capture Jamie. When Jamie insists they throw cargo overboard in order to make the ship lighter so they could catch up with the British man-o-war. The Captain wastes no time in having Jamie arrested and thrown in the brig.
Before reaching Jamaica, Claire jumps overboard and swims ashore to a small island. Jamie’s ship hit rough waters full of rocks and cliffs. They are shipwrecked on the same island that Claire swam to. Neither knows the other is there.
Once they discover each other, they repair the ship’s mast and sail to Jamaica. Looking for Jamie’s nephew, young Ian who was kidnapped by pirates, they inadvertently purchases a slave. Jamie also discovers that his friend, Lord John Grey, is the new governor of Jamaica. He and Claire go to the governors’ ball to see if Lord Grey can assist in finding the boy. They ask their slave to inquire from other slaves information that help them find Ian too. For his help, they promise to free the slave. He confirms that young Ian is seen at the Abernathy estate.
Before, the Frasers reach the estate, Jamie is arrested by Captain Leonard. Before Jamie is incarcerated in a prison cell, he is bought before his newest best friend, Governor Lord John Grey. This next scene is one of my favorites for the whole season. It not only showcased the actors’ prowess, it was exciting to watch John Grey’s “set down” to Captain Leonard. There are three actors in this scene. One of them, Heughan, never says a word; but, his reactions to the other two men, as they confront each other over the his arrest, speaks volumes for his acting chops. This scene is one of favorite scenes in the season. Kudos to David Berry. Watch how Jamie’s buddy (Lord Grey) handles the ambitious Captain Leonard. It is brilliant.
Of corse Jamie and Claire locate Young Ian at the Abernathy estate. However, the widower, Mrs. Abernathy, is none only Gellis Duncan. Another time traveler who befriended Claire. Gellis is a “witch” and Claire thought she burned at the stake in order to help Claire escape her fate. She is also bat shit crazy. She hired pirates to steal young, virgin boys in order to bathe in their blood, to remain young. Mrs. Abernathy is known as the mysterious monstrosity known as the Bakra. Lucky for young Ian, he was not a virgin. Of course, Jamie and Claire will save him from certain death.
When escaping Jamaica, their ship runs straight into the eye of a hurricane. At the beginning of episode 13, the last episode, Claire says: Iamdead. Just like Jamie did at the beginning of episode 1 of season 3. While Jamie awoke, seriously wounded, Claire didn’t wake, she was drowning in the ocean. Again, this is one of the most stunning scenes I have ever seen on film. As Claire drifts to the ocean bottom, Jamie is finally seen trying to cut the ships ropes from her body. Then, he kisses her and breathes his last breath as he blows air into her mouth. This is the following scene.
With the completion of season 3 overview by highlighting superb performances and production Gifts (Day Two 🎁 🎁), let us continue the Outlander Christmas “Pay it Forward” in the spirit of The Twelve Days of Outlander 🎶
🎁🎁🎁 🎼 On the Third Day of Christmas, Starz Outlander gave fans Seasons 3 and the working of Season 4; and by the January of this year, they received yet another gift: the “probable” gift of Seasons 5 and 6….Fa La La La La Fa La La
🎁🎁🎁🎁 🎼 On the Forth Day of Christmas, Outlander presented to fans a Twitter account from the writers of the show: @Outlander Writers. This a Twitter account that fans may directly ask questions to the writers after each episode has aired. Fans receive feedback to their questions every Tuesday…Fa La La La La Fa La La La🎶
🎁🎁🎁🎁🎁 🎼 On the Fifth Day of Christmas, Outlander presented to fans online corrected scripts, Behind the scenes pics and discussions, games and quizzes for each of the Season 3 episodes (13)…Fa La La La La Fa La La La🎶
Writers Matthew B. Roberts and Toni Graphia discuss the last episode with executive producer Ron Moore. These discussions can be found for each episode. These discussions have interesting behind the scenes information. Thanks Matt Roberts, I now want to use a water hose too after listening to you describe how much fun you had in spraying Caitriona Balfe and Sam Heughan.
🎁🎁🎁🎁🎁🎁 🎼 On the Sixth Day of Christmas, Outlander presents to fans opportunities at Con Gatherings to meet and greet: cast members, producers, writers, and musicians. These gatherings may include photos with fans, autographs, eating and dancing….Fa La La La La Fa La La La🎶
🎁🎁🎁🎁🎁🎁🎁 🎼 On the Seventh Day of Christmas, Outlander presented fans with wonderful newcostumes from Terri Dresbach. Season 3 is known as the season of the Skirt for Claire and the Tricorne hat and blousy shirt for Jamie…Fa La La La La Fa La La La🎶
🎁🎁🎁🎁🎁🎁🎁🎁 🎼 On the Eighth Day of Christmas, the Outlander cast, crew and producer, Ron Moore, provided numerous opportunities for QuestionsandAnswers from Ten minutes to thirty minutes; off and on throughout the year. These are really fun; and, if they pick your question, it feels like you have won the lottery. In addition, cast and crew are constantly tweeting fun stuff about their work and playing practical jokes on each other. For instance, they love stealing each other’s phones and taking selfies of themselves; then, sharing them on Twitter… Fa La La La La; Fa La La La🎶
I must add StevenCree who plays Ian Murray. Ian is Jamie’s best friend since childhood. He even married Jamie’s sister, Jenny. Steven is also a real life friend to Sam Heughan. Cree loves to use his Twitter account to engage Outlander fans with his Heughan Talks video clips. Cree disguises his voice to talk for Sam (thehostwiththemost) and Sam’s guests, like Michael Jackson. These guests are actually dolls or pics on the computer monitor or on a tablet. Once, for 2017 Christmas, he filmed the real Sam. It reminded me of my sister who aggravated me while I tried to ignore her. Of course, you can tell, both men are having a great time, along with the fans.
🎁🎁🎁🎁🎁🎁🎁🎁 🎼 On the Ninth Day of Outlander, fansweregifted with the added the talents of NEW CAST MEMBERS! Here are a few that comes to mind; but, there were many more …Fa La La La La; Fa La La La🎶
David Berry, John Bell,Lauren Lyle, Caesar Domboy
David Berry as Lord John Grey
John Bell as young Ian Murray
Lauren Lyle as Marsali and Caesar Domboy as Fergus
Hanna James, Wil Johnson, and Gary Young
Gary Young as Mr Willoughby
Wil Johnson as Joe Abernathy
Hanna James as Lady Geneva Dunsany
🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 🎼On the Tenth Day of Outlander, the fans were gifted with a lovely surprise: Murtagh Fritzgibbons (DuncanLacrox) survived Culloden. In the book, he was killed as he “killed” Black Jack Randall. Some fans do not like it when the main storyline is distorted from the books. I loved that Jamie’s wise and experienced “godfather” was found in Ardsmuir prison. I hope to see much more of him in Season 4 …Fa La La La La; Fa La La La🎶
🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 🎼 On the Eleventh Day of Outlander, fans were gifted with the sweetest Christmas scene between Roger and Bree. Their first Christmas together and a kind of bittersweet date; since, Claire just left to go back through the stones and back to Jamie. When Roger first visits Claire and Bree, he confessed that he wanted to spend an American Christmas with them. He wanted to eat Boston cream pies and eat lobster rolls. Claire told him that the few Christmas traditions the Randall’s had shared had consisted of reading The Christmas Carol by Charles Dickens toa much youngerBree was much younger. Of course, Claire realizes that this was the first Christmas Roger would celebrate without his father who recently died. She also understood that he wanted to spend Christmas with a friend who knew his father and who has a beautiful daughter that he was seriously crushing on. In the following scene, Bree is comforted by Roger. Her mother just said goodbye. Bree watched her from the window as her mother takes a taxi to the airport for a flight to Scotland. I think Bree and Roger are so adorable as they try to cheer each other up and rekindle the joyful spirit of Christmas together. I am really looking forward to seeing more of these two and Season 4…Fa La La La La; Fa La La La🎶
🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁🎁 🎼 On the Twelfth Day of Christmas, Outlander fans could once again see some their past favorite actors and characters help Season 3 become the BEST SHOW on TELEVISION. Thank you actors, all: for reprising your roles …Fa La La La La; Fa La La La🎶
Bill Paterson as Lawyer Ned Gowan
Lotte Verbeek as Gellis Duncan/Mrs. Abernathy
Nell Hudson as Laeghaire Mackenzie
And of course the whole recurring cast of Outlander, including production teams, writers, and crew that make this show an exceptional delight to watch and follow as the “gifted” fans do. People say that Outlander has the best fans. When in truth, how could they be otherwise with such wonderful gifts from such an Outstanding show. Have a wonderful and Happy New Year everyone.
David Berry as Lord John Grey
Lotte Verbeek as Gellis Duncan/Mrs. Abernathy
Realweegiemidget Reviews’ Gill Jacob, offered up the “pay it forward” using The Twelve Days of Christmas theme as a challenge to several bloggers. She chose our particular topic, I am honored she singled me out to write a post on the Outlander. I pride myself as one of the millions of avid Outlander fans (book series and the show). I hope you will enjoy reading this post whether you are a fan too or even if you know nothing about the show. If you would like to read other ”Pay it Forward” posts with the focus on other popular TV shows and movies, please use the following link:
I am am not going to tag you in order to draw you into a public challenge. Instead, I hope you do write your own “Pay it Forward” in the spirit of the Twelve Days ofChristmas. It would great for you to join in the fun, especially after you read other posts submitted to this Blogathon. However, my friends, I truly hope you will not be offended that I included a few of you have in my tags at the bottom of this post. I hope that it is not too intrusive. If it is, please let me know. I hope everyone has a wonderful and successful year.
***I do not own any of the images found in this post***
‘The Great Breening Blogathon is an opportunity to censor a movie based on the old Hollywood decency codes. I want to thank Tiffany Brannan for the invite to participate in this fascinating Blogathon; especially since, it provides me with some challenges as a writer and as a movie fan. For instance, it allowed me to see a wonderful film classic with a different perspective. The film isn’t just a work of art with its own truths and lessons; instead, I viewed it with the eyes of a societal protector that uses a moral compass called the Hays Decency Code.
I have been following a blog, Pure Entertainment Preservation Society (PEPS) for awhile now, and; I have enjoyed their posts. They have invited bloggers to honor the man whose control of movie content has produced many of the classic, timeless movies during a twenty year span (1934 to 1954), known as the Golden Age of Hollywood.
The Process of Breening
First, I carefully review the film by watching every detail in each scene for any objectionable material that might not have been allowed according the code. The process of censoring these movies is called Breening. This is in honor the man, Joseph I. Breen, who perfected this system. For the purpose of this Blogathon, I had to choose a movie that was not previously “Breened.” A movie not made between 1934 to 1954 and not made after 1968. So, my movie choice which was made in 1930 is considered one of the best films ever made, even by critics today: All Quiet on The Western Front.
Just think about it, this movie was made only one year after the introduction of sound pictures, in 1929. In addition, this movie is bit historical considering that it was made only twelve years after WW I (1914- 1918) or “The Great War” as it was known then. This means most adult audiences, which saw this movie in 1930, were either in that war or affected by it in some way. This brilliantly made film won Academy Awards for Best Picture and Best Director; and, it also earned two nominations for Best Writing, Achievement and Best Cinematography.
Could this movie even been allowed to be made using the Breening system?
The Movie is adapted from a popular book published in 1929 and written by a wounded, German WWI Veteran, Erich Maria Ramarque. So, basically it is an American made movie based on the viewpoint and experiences of an enemy soldier. Ironically, this is, in and of itself, enough too have stopped the release of this movie under the Hays Code. A general rule of the code claims: the sympathy of the audience must never be thrown to the side of crime, wrongdoing, evil, or sin. In war, the other side is always wrong and evil.
Ramarque’s book became a best seller around the world. It is considered one of the greatest novels of all time. It is still required reading in classrooms and colleges across the United States. A sequel to this book, The Road Back, was published in 1931. In this book, he opposed the rise of Nazis Germany. In 1933, Joseph Goebbels (Hitler’s minister of Propaganda) banned his books and had them publicly burned them. War hero, turned author was an anti-Nazis; so, Hitler deemed him as a traitor. In 1939, he immigrated to the United States; and, he became a U.S. citizen in 1947.
The Movie and the book are still considered influential anti-war works and important chronicles of WWI. The leading actor in the movie, Lew Ayers, was so influence by the movie, he became a conscientious objector for the rest of his life. This did not make him popular in Hollywood; but, he continued to act in various roles for decades until his death in 1970.
The Great War (1914 – 1918)
Sadly, this war was tagged as the “War to end all wars.” Many people of that time believed in stockpiles of modern weapons (militarism) as a defense against attack and eventually, war itself. Their “new” weapons and machines would make the act of war obsolete. This delusional belief was based on the idea that the war would be fought mostly by machines instead of humans, who would just control the buttons. As a result, there would be fewer lives loss; and, the war would be over very quickly. The technological arrogance of this assumption is deplorable. I guess they thought it would be like Robot Wars. Of course, Trench Warfare, Submarine Warfare, Chemical Warfare, Tank Warfare, and even uses of the Aeroplanes (flying coffins), radio, motor vehicles, animals (homing pigeons, horses, and dogs), flame throwers, hand grenades … just made destroying all known life easier to do and in much greater numbers. As a result of so many men killed in this war, the remaining survivors were known as being part of “The Lost Generation.”
What an enormous responsibility these film makers took in making a war movie that the viewing public was still healing from. Too much realism could repulse them and not enough would make the film sound dishonest and irrelevant. Would using the Bleen system change the quality of this two hour and 11 minute movie classic? After censoring this film, would it keep its integrity and possibly be a better movie? Or, regrettably, with details left out or changed, would it have too much sugarcoat and therefore, unbelievable?
The Breen scenes
The Movie opens with a military parade in the streets. A professor in boy’s classroom is nearly yelling at his students in order to be heard. He is encouraging a whole class of boys how honorable and adventurous it is to fight the enemy on foreign soil. He even quotes the Latin phrase that every Roman soldier said: Dulce et decorum est pro patria mori.
Sweet and Fitting it is to die for the fatherland.
The need to join the fight becomes so overwhelming, they jump up from their desks and quit school. This displays their heart felt love for their country (Nationalism). The armies around the world would keep families and friends together as a fighting unit or company. They truly were a ” band of brothers” sent off to war together.
So, here is the first scene I would cut or at least rewritten.
Breen #1: Costumes – undressing scenes should be avoided.
Breen#2 Sex: scenes of passion –No excessive or lustful kissing and no suggestive postures or gestures.
It is a scene where the boys first arrive at boot camp and are assigned their uniforms and bunks. These young men sit on their beds together and excitedly talk about the weapons they will be soon trained to use. There is a close-up a man taking off his shirt as they talk. Many are half dressed playing around on beds. As one young man raises his hips off the bed to put on uniform pants, his friend, Paul Baumer (Lew Ayers) jokingly places the pointy Helmut under his butt. Of course, his butt lands on the point. He screams and then uses the Helmut to smack Paul, as they both laugh. Then one of the other friends, grabs another friend’s face in both his hands and kisses him squarely on the lips and then on the cheek while he laughingly says: you won a metal that time Mulller. Muller laughs too.
Personally, I love this scene; since, it displays their exuberance for life and their playfulness while they excitedly wait to start their imaginary adventure. However, I am sure it would not pass decency code at the time. Since it is a long scene, in a long movie, over two hours, it would be easier to just delete it.
Second scene to Breen
When the men find out that their drill sergeant is their friendly post man back home, they literally laugh in his face. Part of boot camp training is to break down independent thinking and then build it up again with team thinking. Immediately, the Corporal shows the men that he is not their friend and is on a power trip. So much so, Himmelstoss delivers his cruel and sadistic orders.
Breen #3 Crimes Against the law – REVENGE in modern times are not presented in detail
After 6 weeks of grueling training, the men were denied leave to relax in town. Not one weekend were they allowed a break from training like other companies. They were given their orders to leave at midnight for the Western Front (trenches built between two warring enemies: French and the Germans). They had just enough time to clean the mud off their uniforms. Later, that same evening, they were given an opportunity to even the score. They happened to witness a drunken Himmelstoss stumbling across the camp. They strung wire to trip him; then, they covered his head in a blanket. Then, they carried him into the woods and commenced to beat the “tar” out of him. They each took turns beating his arse with canes. Then, they dumped his unconscious body in the mud.
We see the men pre-plan their brutal attack and carry it out in detail against a superior officer. This would definitely not be allowed under the decency code. I would rewrite the scene as an accident witnessed by the men for their enjoyment. As the drunken Himmelstoss crosses the camp, he hits his head on a tree limb and falls unconscious into the mud while the men hilariously laugh.
Breen #4 Repellent subjects – Brutality and possible gruesomeness is not allowed
The scenes of men in combat are very graphic. There is one scene that a soldiers hands are left grabbing wire while the rest of his body has been blown away. I would have deleted this scene.
The last scene I would like to Bleen, although there are many more, is a scene where they are bathing in a lake, NAKED.
Breen #5 Nudity can never be permitted as being necessary for the plot
After lusting for a woman on a poster, in a village pub behind enemy lines, the men decide to take a bath to try to feel human again. While bathing and swimming naked, they see three French girls across the river. The girls are giggling and laughing at these nude boys. They see them and try to persuade them to join them. They girls only laugh and shake their heads in unbelief at their nudity and terrible attempts in speaking French. Finally, one of them lures them with a bottle of wine and some bread he had retrieved from the embankment.
A guard on duty orders them back to across the river. The girls indicate their house and for welcome to a rendezvous later that night. They arrive in the dark: wet and naked (nakedness is implied). The girls are shocked that they were butt naked. So, they grab the feminine clothing hanging on a clothesline. When they come into the house, they clothes are hanging on them in weird ways in their excitement to be admitted in the house. The women are starving and they quickly ravish the food. One of the girls lead Paul to a kitchen chair beside her. This is one of the sweetest scenes in the movie. Paul tenderly watches her as she devours the food. Then, she cups his cheek in her hand. He slowly turns her hand over and delicately kisses her palm. You could almost feel his heart and read his mind as you witness the grossness of the war slowly fall away.
There is free love, nakedness, and sneaking around by breaking orders not to cross the river….let alone fraternising with the enemy. This whole scene would have to be rewritten where Paul is married and returns home for some love. Too bad because this scene, with these two strangers and enemies, reveal a lesson in the fact that humans have a basic need. In order to connect to our sense of humanity, we must do so through others. That is all this scene wants to convey; no more and no less. In a rewrite, Paul’s going back to the wife involves mutual expectations. He is not the man he was before the war. His experiences have changed him into someone much more complex. All of that has to be included too with a wife. These two scenes would be completely different lessons with different results. The plot does just thicken, it is changed.
There are many more scenes that I could Bleen for this movie; but, since I am a newbie at this, I think five scenes is enough for this post. What do I take away from this process? There are movie scenes that can be removed and rewritten to make a better movie. Fine editing is vital for a film’s success. However, this classic masterpiece could not withstand too much Bleen censoring without changing the true sentiments of the storyline and plot.
This challenge of utilizing the Bleen system, not only entailed that I use someone else’s decency standards; but, also that I judge the merit of an art form purely based on the perceived notions of what is considered “good taste” or what is “right” for the common good. It is stifling at best and at worst, it limits freedom of speech. Anyone who has been involved in creating any art form knows that most artists look for the “Truth” from within their soul. Without a doubt, the artist and the censor have two separate perceptions of what Art should be. This difference creates an endless discussion and debate on defining Art and the limitations (if any) on the freedom of speech and expression.
I enjoyed participating in the Bleen process and again, I want to thank Tiffany for this lovely opportunity. If you enjoyed critiquing this movie with me and you would enjoy reading more posts about other “Bleen” movies, please use the link:
Many thanks to Movie, Movie, Blog, Blog for hosting April Showers Blogathon 2017. I enthusiastically urge you check the link below for more posts on other movies that use rain to enhance its movie experience:
After a particularly harsh Winter, it feels natural to welcome Spring with some sort of celebration. Being able to stay outside for long periods of time, you are able to see nature bursting with new life as it graces us with images and scents of blooming flowers, fresh air and wet green grass. As it rains, you can feel the growth of new beginnings. As true with most things in life, there is an upside and a downside. The negative reactions to change could also include degrees of fear, uncertainty, and apprehension. As a result, people tend to be a bit anxious about changes, especially when it affects their future, like a new love.
Nothing affects the future like a budding romance in the Spring. It is one of nature’s strongest forces. However, no matter how glorious it feels to be in love, there is a stark reality. There is no guarantee that it will last, forever. In the United States, 50% of all marriages end in divorce and many, who don’t divorce, wish they could have chosen a different spouse. The positives and negatives of Spring romances are a reality that affect life on this planet, for better and worst.
No one understood these Spring Romances better than Jane Austen in her novel, Pride and Prejudice (1813). She presents rules, obstacles and warnings of how to, and not to, fall in love with the wrong person. The main characters, Elizabeth Bennett (Lizzy) and William Fitzgerald Darcy, represents a couple who struggle with these rules. They approach each other with as much honor and passion as any knight on a battlefield. The emotional duel between these two head strong, intelligent people is like nothing ever written before; even when compared to Shakespeare‘s standards of fearsome love battles: Beatrice and Benedict in Much Ado About Nothing or Katherine and Petruchio in Taming of the Shrew. Austen’s Lizzy and Darcy tangle with the Forces of Nature too; and no amount of reason or strong will can stop them from hating the fact that they are falling in love, despite their best efforts not to do so.
Of course, the real test of this classic tale is to transfer their love battle to the Hollywood screen, with all its explosively charged passions still in tact within the confines of polite society. How does a film maker translate this magical and sensual tale to the screen and still be true to the book? How do you take people from another time in multi-layered clothes, who are not allowed to touch each other, let alone talk openly or privately without a chaperone, appear sexy and passionately in love for a modern audience?
In my humble opinion, Director Joe Wright‘s film, Pride and Prejudice (2005), had accomplished just that. It is the most beautiful and sensual retelling of any romantic classic that I have ever seen. It is so beautifully made, I believe it is visual poetry. And poetry, as we all know, is the language of love.
How does Wright make a classic love story into poetry on film? It is accomplished with careful and artistic use of the movie making elements of cinematography, filming in lush locations, employing the right melodic music, having a great story, with wonderful actors set in lavish sets and costumes. And perhaps, and even more importantly, the use of the Seasons with its natural elements. Much of this film’s imagery, is a product of an artistic utilization of the natural landscape and weather. Since April Showers is the theme of this post, and romance is the background, I want to focus on one a scene in this movie that uses rain, in particular, in conveying the emotional tone and the movement of the story..
Summary for Essential Scene
During 19th century Merry England, the Industrial Revolution was soon to begin as the war with Napoleon was nearing its end. On the home front, life was routine. Women, for centuries, were needed to help increase their family’s fortunes by marrying wealthy men. They were not allowed to inherit the family fortune if there was a male relative about who could inherit instead. These woman faced eviction if these male relatives so chose (Entailment in Property law).
The Bennett Family consisted of a Mother, Father and five daughters. With no sons to inherit, an estrange male cousin, Mr. Collins, will inherit the Bennett estate, Longboure, once the Father passes away. So being a good mother, Mama Bennett (Brenda Blethyn), who has a complete lack of any tack or finesse, finds it imperative to hunt and capture good husbands for her young daughters.
This is made very difficult, because the money that should have been saved to add to their dowry (to attract suitors) was foolishly overspent on new dresses and frills to lavish on her favorite daughters and the home. Father Bennett (Donald Sutherland) basically lets Mother Bennett have her way in most cases to avoid listening to her nagging. Elizabeth loves and admires her father’s witty intellect. She finds solace in her father’s company when they discuss and debate concepts introduced by the books they have read. Thanks to her parent’s unhappy marriage, Elizabeth is determined to marry for love, only. Poor Elizabeth, due to the family’s unfortunate circumstances, Mama Bennett is near manic and extremely manipulative in her matching making efforts. You know the philosophy: The ends justified the means.
At every opportunity, she would “present” her daughter’s before men of wealth, usually at local dances. Jane (Rosamund Pike) is the eldest and prettiest daughter. She is a very sweet natured young Lady; but, she is also extremely shy. Jane and Elizabeth are each others confidante. The family relies on Jane to find the wealthiest husband in order to save them from poverty. Elizabeth (Keira Knightley) is the second daughter and also very pretty. She is very intelligent with an independent spirit. She doesn’t always filter her words when she speaks her mind. Which is a huge turn off for most men.
When Darcy (Matthew MacFadyen) and Elizabeth eyes first connect, they both like what they see. This is why Elizabeth asks Mr. Darcy if he likes to dance. His response is: Not if I can help it. It is too crowded and loud to continue the conversation. It is at this same dance that Jane attracts the attention of a new wealthy neighbor, Charles Bingley (Simon Woods). He walks up and introduces himself, his two sisters, a brother-in-law and his best friend, Mr. Darcy. He asks Jane for a dance. Mama Bennett is pleased to be sure; but, she sees the wealthier, Mr. Darcy, standing behind his friend. Without missing an opportunity, Mama Bennett begs Darcy to dance with one of her daughters; then, she nearly pushes Lizzy ( Elizabeth) on Mr. Darcy. Elizabeth is naturally embarrassed. Darcy who is completely disgusted by Mama Bennett’s obviously crass attempt at “head hunting” turns his back on them all and stalks off. Shocked by his rudeness, Lizzy is equally disgusted by his snub.
Elizabeth soothes her mothers hurt feelings and her own by agreeing that Mr. Darcy is “ill-favored” despite his wealth. He does appear arrogant and haughty; but, in his defense, he is overly shy and inept at social function. So much so, that when he gets nervous, he tends to stutter. Of course, Mother Bennett agrees with Lizzy; and, advises her never to dance with “the man” even if he asked her too. Elizabeth promises never to dance with Mr. Darcy.
Later, Elizabeth hears Charles Bingley trying to urge his friend into dancing. He compliments Jane, “She looks like an Angel” and says that Lizzy is quite handsome too. At this, Darcy went to a place, no man in his right mind, should ever go. Miss Austen, please excuse my paraphrasing.
He says: She is not handsome enough to tempt me. I didn’t come here to give “consequence” (boobie prize) to girls who have been rejected by other men.
Oh yeah, Darcy went there. Guess who over heard it? Yep, Elizabeth. The War is on! So, what does a young, powerless women do to get back at someone who has insulted her very core? You heard the expression: A best defense, is a great offence. Lizzy perseveres and pretends, it did not bother her. Then, she smiles the most dazzling smile she has ever smiled before, and looks straight into the eyes of Mr. Darcy, as she sides pass him on the crowded dance floor. She then finds her closet friend to whisper what Darcy had said. He is still watching (bewitching?) sees both woman look back at him and laugh.
The lines are drawn; yet, we know both Darcy and Lizzy cannot continue this confusing entanglement for too long. She believes the horrible lies and gossip about Darcy. He constantly reminds himself of her common breeding. At every opportunity she tries to avoid him; and, if she cannot avoid him, she sarcastically teases him about his pride. He interprets this as a coy flirtation.
When Darcy hears that someone said Elizabeth was the Local Beauty, he not only says that it must have her mother who said it; but, he also adds that her mother must have been a “wit” or joking. All awhile, Darcy continues to fall helplessly in love with her; until, he cannot take it anymore. He decides to degrade himself and declare his love. He knows that Lizzy must agree that she is very fortunate to have him propose since he is her superior. He understands that he has much to lose, his reputation, family respect and his own self respect…”but it cannot be helped.” Elizabeth has everything to gain. How could she refuse him?
Just before he proposes to Elizabeth, they attend Church service. She is told by Darcy’s cousin, Colonel Fitzwilliam, that Darcy bragged about helping his friend Bingley dodge the marriage bullet with an “unsuitable” young lady. Lizzy knew that the unsuitable young lady was her dear sister Jane. Elizabeth also understood that Darcy destroyed her sister’s happiness and possibly her family’s as well. This truth, along with the many lies told to her from Mr. Wickham (Darcy’s enemy), is overwhelming. Elizabeth runs from the Church just as a thunder storm is about to break loose. Darcy runs after her, and finds her under a stone pavilion, sheltering herself from the storm. This is the climax of the movie. Here, Director Wright creates a vividly visual poem . I have included a link below to watch this magnificent scene. Confrontation and open truth, can be brutally painful; but, it can also cleanse the spirit for change. The rain, music, and emotions are one. Their sounds are as vital as any lover’s heartbeat.
Even with the Academy Award winning music by Dario Marianelli , the lush locations, brilliant cinematography by Roman Osin , and the incredible performances under Wright’s direction, this scene is unforgettable as a result of implementing the thunder storm as a leading character. It is one of the most passionate and powerful scenes in movie history. Enjoy!